I Aten't Ded

Jun. 19th, 2026 03:23 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
We are both okay.  The house and yard are okay but need more attention.  Our local friends are okay too.  This will likely cause some interruption of regular bardic services, so please be patient.

What happened is that Wednesday evening, a violent thunderstorm passed through our area wreaking some havoc.  At least one tornado formed and touched down in a town just south of us.  We wound up spending last night at a hotel in Champaign-Urbana.  Our power was our from 6:15 PM Wednesday to around 2:40 PM today.  The contents of the refrigerator and its small freezer will be a near-total loss, but much of the chest freezer contents (with a safe period around 48 hours) is likely still good.  Despite the hassles, we are grateful to have escaped most of the storm damage.  We still have a lot of cleanup and catchup to do.  I will post more details when I can.
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[personal profile] pegkerr
As I mentioned in my last post, my granddaughter M's first birthday was this past week. Fiona and Alona decided to combine the celebration for Alona's Master's degree and the change in Fiona's career, along with M's birthday, into one big party.

We were incredibly lucky on the weather: after several weeks of miserable humid heat with poor air quality, the day dawned with comfortable air temperatures and beautiful clarity. The view over the lake was gorgeous. A large circle of friends and family had been invited out to my sister Betsy's beautiful home in Mound on Lake Minnetonka, and 75 people RSVP'd yes.

We had a truly lovely afternoon. There were a number of children, and they enjoyed themselves romping in the sun, playing lawn games, and dancing through the bubbles thrown off by the bubble machine. We had Middle Eastern food catered in as well as nibblies and desserts. Betsy had set tables out on the lawn, and I was included in many lively conversations. It was great to catch up with everyone. M has several great-grandparents, and they all gathered in Adirondack chairs on the lawn overlooking the lake to visit and pass babies around.

M had her own smash cake to taste and destroy, a definite highlight of the event. She was extremely happy all day.

A wonderful day.

M is just on the verge of walking, and whoa, her parents' lives will soon be changing accordingly.

Bottom left corner, Fiona and Delia sit at a table at a party, smiling. Behind them is a table spread with party food. Bottom right corner: a collection of gift bags. Center: white sheet cake with the message "Congratulations on it all!" Above that: Fiona and Alona smile at the camera. Between their heads at the top: a baby's hands smush into a yellow cake.

Celebration

24 Celebration

Click on the links to see the 2026, 2025, 2024, 2023, 2022 and 2021 52 Card Project galleries.

Friday Five: Timewasters

Jun. 18th, 2026 05:46 pm
castiron: cartoony sketch of owl (Default)
[personal profile] castiron
For all of these, I'm definining "waste of time" as something that's unnecessary and annoying. It's not a waste of time to clean the bathroom, even if I find it tedious. It's not a waste of time to play a few rounds of solitaire when I want to do something enjoyable and mindless, even though it's an unproductive activity.

1. What is your biggest waste of time in your home? Stuff-shifting. We have so much clutter that I always have to move things before I can clean, and I often have to move piles of stuff to get at a bookshelf or drawer. When it's my stuff in the way, I can get rid of it or find a better place to keep it; when it's Spouse's, there's more negotiation.

2. When at work, what is the activity that you find wastes the most time? My workplace is actually pretty good about this; I don't feel like I'm assigned much in the way of pointless timewasting tasks. Once in a while I'm asked to pull a report that doesn't end up used, or that I have to rerun because the requestor didn't give me all the fields they needed, but overall either the task I did is useful to the company, or it didn't turn out useful to the company but helped me learn something.

3. When getting busy with a date or significant other, what ritual could you do without? This is a very weird question, and not applicable to my life at this time.

4. What is the biggest waste of time on the Internet? For me, there's not any individual site that's inherently a waste of time; it only becomes one when I'm mindlessly spending time there without stopping first to think whether there's something else I'd rather be doing.

5. What do you do at a restaurant to waste time when waiting for your meal? I don't. Either I have a companion with whom I can have a pleasant conversation, or I have a book that I can enjoy reading before and during my meal.

Mislaid my cat comb

Jun. 20th, 2026 12:45 am
conuly: (Default)
[personal profile] conuly
I've had to comb Callie with my own comb. My god, that girl can shed!

***********************************


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[personal profile] thesleepingbeauty posting in [community profile] c_ent


All icons are HERE @ [community profile] little_mermaid. ♥

Note: This post will only be open for a few weeks or a month. After that it will be locked to members only, so please feel free to join & subscribe if you like my work. Thank you. <3

Noted around and about

Jun. 19th, 2026 04:57 pm
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin

Moar and moar on performative reading, sigh: Booksmaxxing: how reading became sexy (haven't we been here before?)

***

I haven't actually read the whole of this yet, but on reading and the sexxy, it goes the full academic: Romantasy and the quest for cliteracy. Abstract:

Romantasy – a hybrid genre of romance and fantasy – is well known for its explicit ‘spicy’ content. Like romance fiction, female desire and pleasure are central to the narrative. Drawing on textual analysis from three popular romantasy series, this article examines the genre’s potential to foster cultural cliteracy: or the recognition and understanding of the clitoris as a central site of sexual pleasure. It explores how depictions of clitoral stimulation, female sexual response and orgasm function as a form of public pedagogy on female sexual embodiment. Through detailed sensory description, romantasy offers rich narratives of female pleasure that contrast the often disembodied and risk-focused approaches that pervade school-based sexuality education. While the genre is not without its limitations, it is argued that romantasy provides readers imaginative, safe spaces to engage with the embodied, erotic and emotional dimensions of sex, gender and relationships. In doing so, it offers valuable counternarratives to patriarchal and phallocentric discourses that continue to constrain how female sexuality is understood and expressed.

***

People have been going WO WO SYMBOLICKAL METAPHOR about this: ‘Most famous tree in the world’: Sherwood Forest’s 1,000-year-old Major oak dies. The Royal Society for the Protection of Birds has a different take (bless 'em):

Although this marks the end of the Major Oak as a living tree, it does not mark the end of its story. The iconic oak tree remains a powerful presence in the landscape and an enduring part of our cultural heritage. The tree and soil beneath it will continue to be a vital refuge for wildlife and the knowledge we have gained by looking after the Major Oak will help preserve other ancient oaks across the country. Its legacy will live on through its saplings and the legends associated with it, with plans being drawn up with our partners, and the tree will continue to be a vital refuge for wildlife.

***

Honestly, this secret org sounds like a cross between the school playground and Versailles of the Sun King with who rates and why. I guess the 'got sand kicked in his face' is an aged trope (it was in ads for some body-building thing) but we feel some such back-stories must be in play.

***

'Here they come building their big fancy Stonehenges, two wooden posts was good enough for us....': Archaeologists believe they have discovered an earlier, much simpler version of Stonehenge about 3 miles (5km) away from the prehistoric monument.

***

A different kind of heritage: Glassy Junction, Southall: the definitive history of ‘London’s first Indian pub’

***

Today in London history [last Tuesday]: RSPCA founded in West End coffeehouse, 1824.

Catch my breath [status]

Jun. 19th, 2026 11:54 am
rebeccmeister: (Default)
[personal profile] rebeccmeister
Oh my goodness, it was so wonderful to be on vacation for a few days there.

Oh my goodness, the world didn't stop while I was on vacation, there are problems to solve, deadlines to meet, more plans to plan.

Certain overambitious plans probably need to be triaged now, but I can't give you any specifics on that yet because I'm still trying to remember which way is up.

But - worth it? WORTH IT.

ICONS: Various Fandoms

Jun. 19th, 2026 03:33 pm
tarlanx: Wen Kexing 3/4 body profile with purple background (Cdrama - Word of Honor 1 - WKX lavender)
[personal profile] tarlanx posting in [community profile] c_ent
A few more ICONS created recently

Spring Pass-it-on 02 by Tarlan Spring Pass-it-on 03 by Tarlan Spring Pass-it-on 04 by Tarlan

Spring Pass-it-on 06 by Tarlan Fox Spirit Matchmaker: Red Moon Pact Ban Shu Legend The Untamed

Fandoms:
Eternal Love, Word of Honor
Meet You at the Blossom, Fox Spirit Matchmaker: Red Moon Pact, Ban Shu Legend, The Untamed
 

Support your local small non-profit.

Jun. 19th, 2026 07:33 am
sistawendy: me in a Gorey vamp costume looking up (skeptic coy Gorey tilted down)
[personal profile] sistawendy
For the third week in a row, I spent an evening at Lambert House (actially St. Mark's, but only for six more weeks) working on moving their database out of Microsoft Access 2010. (Ptui!) The first step in this project is exporting the database into something newer. This involved writing and generating a lot of SQL, then running it against my DB engine of choice, in this case SQLite.

Populating the DB took 80 seconds on my 2023 Macbook. And that was after I abandoned my first attempt, which tried to write the new DB to the networked drive where it has to live. It took ninety minutes on the director's PC, which someone donated to the house at least ten years ago. I hope old, cheap-ass hardware and network file access don't doom this entire project. If any of you Seattle-area queers or freaks want to donate a Windows (Ptui!) machine to a worthy org, you could do worse than Lambert House.

I'm really glad to have Juneteenth off, even though I plan to spend the day cleaning house. Let me just leave it at that.

New Worlds: Industrialization

Jun. 19th, 2026 08:15 am
swan_tower: (Default)
[personal profile] swan_tower
There's a particular type of alternate history whose premise is: what if [fill in the blank past society] industrialized? (Rome is a particular magnet for this.)

The challenge of such speculation is that we have precisely one data point for what de novo industrialization looks like. Many parts of the world have industrialized, but they've done it by adopting the concepts and technologies developed elsewhere. As a result, our explanations for how it happens run the risk of being just-so stories, with no way to test them and see if they're correct. Those being the only explanations we have, though, we pretty much have to go with them whenever we attempt to depict either an alternate historical industrialization, or this process happening in a secondary world.

But before we ask what it takes to industrialize, we should first look at what industrialization is.

I'm going to give a simple answer to this. An industrial society is one that's figured out mechanized methods of production, rather than everything having to be done by hand. In order make that mechanization work, we had to harness new sources of energy -- specifically, fossil fuels -- and then reorganize labor around creating and operating the machines. As a consequence of such changes, a society of this type develops more specialized division of labor, and also tends to support higher, denser populations.

So: how do you get there from an agrarian society where muscles provide most of the power?

Obviously this is in large part a technological question. A Bronze Age society can't industrialize for the simple reason that their metallurgy can't support the kinds of technology necessary for powerful steam engines; hunter-gatherers, even less so. Even an iron-working society can't necessarily manage it, because a boiler capable of surviving useful levels of pressure isn't something any old blacksmith can bang together. But technology is only one side of the equation, and if all you're looking at is the metallurgy, it's easy to think that surely any place with good blacksmiths could figure it out -- that it's pure chance no other time period industrialized. In reality, you also have to ask yourself, what are we making these machines for?

Yes, aeolipiles -- primitive steam turbines -- existed nearly two thousand years before the Industrial Revolution got rolling. But they were essentially toys, producing very little power and using up tons of fuel to do it. They had no practical function. It took a completely different design to arrive at a steam engine that could do anything useful . . . and the odds that anybody was going to put in the work for that design were low, because what purpose would it serve?

When your vision of the Industrial Revolution is that change at its height, with massive engines driving locomotives or machines that fill whole rooms, you miss how inefficient, ineffective, and unreliable early steam engines were. Even if some Greek inventor tinkered around with the aeolipile or asked "I wonder if there's a better approach?", he would wind up spending tons of money and effort on making a device that still wasn't worth it. The argument I've seen -- the best just-so story we have for the Industrial Revolution -- is that it started where it did and when it did because eighteenth-century Britain found itself in a situation where even a kind of crappy steam engine was better than no engine at all: coal was needed for heating purposes, their coal mines had gotten deep enough that they were flooding with water, and oh look, the fuel you need for the engine is right there where you'll be using it. No need to pay for transporting it anywhere. The economics worked out to make that a problem worth solving with a new technological development.

Coal has been used for a long time in cooking and heating, but we've tended to go for the easy surface deposits first, and to switch away from it when those become less accessible. The roots of Britain's industrialization probably lie in deforestation and the more intensive mining of coal in the century or two leading up to the development of actual steam engines -- a set of circumstances that didn't prevail in, say, Rome. They handled their mechanical problems with slave labor and had much less need for coal, living where they did; as near as I can tell, peninsular Italy had very little coal anyway (compared to Britain). So trying to invent a steam engine there would be a solution in search of a problem to solve: not a situation that favors the kind of technological development that has to pass through multiple not-very-effective stages before it gets to the good stuff.

And the good stuff, as you all probably learned in school, is steam engines that are smooth and efficient enough to be useful in textile production. Once you have those, it's worth the cost to build them in places other than on top of coal mines and transport coal to them. Other uses, too, but after the water-pumping prologue, textile industrialization really is Act I of the Industrial Revolution, because it's an easy place for a better (but still not amazing) engine to make a difference. So here, again, the just-so story says Britain was the right place at the right time: they had huge industries in both wool and (thanks to colonialism) cotton, meaning that productivity gains in something as basic as the spinning of thread could produce absolutely explosive growth. Everything after that -- trains and steamships and cool steampunk gadgets -- is flying on the momentum created by coal mining and thread.

Of course, all of this is the mundane path to industrialization. In a speculative world, it's entirely possible to change the starting conditions and create a different trajectory; so long as it still follows the general pattern of "non-muscle energy source allows for new, mechanized, mass production," it will feel industrial. If that energy source is the discovery of a vein of some mineral which, when a small quantity is placed into a device, becomes an abundant form of power, maybe nobody has to slowly iterate through crappy devices to reach a point where it makes economic sense to transport the stuff elsewhere. Or it's a method of channeling magical power from the sky, recently discovered by an innovative sorcerer, which turns out to be useful for some productive task. (Quite possibly it's still textiles: as noted in the previous essay, those are, alongside food, one of the basic survival requirements that have historically demanded the most time and labor.)

I'll admit to ambivalent feelings about that latter example, because of what kind of magic I like in my stories. An industrialized form of magic is one that, by definition, can be depersonalized. At that point, no matter what words you attach to it, I no longer find it very magical: it's just technology by a different name. I can still enjoy stories in such a setting; I'll just enjoy them for reasons other than the magic. And I freely admit this is a personal opinion, not one shared by every reader. For worldbuilding purposes, it's entirely fine to create a speculative twist on the process of industrialization -- and then it helps to understand what does and does not make sense!

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(originally posted at Swan Tower: https://is.gd/SbcH2d)

Cedar Waxwings Unmasked by Jane Yolen

Jun. 21st, 2026 01:16 am
conuly: (Default)
[personal profile] conuly
Who are these masked birds?
Not Robin Hoods,
for they live in
the open woods.
They only deal
in stolen goods
like berry futures,
cedar cones,
and sweet, sweet, fruit
(but leave the stones).
Insects they catch
on the fly
when swarms of them
go buzzing by.
No need to worry,
moan. or fret.
Your valuables
they will
                not
                     get.

********************


Link to the poem

The bird itself

D.O.P.-T.

Jun. 18th, 2026 09:44 pm
weofodthignen: selfportrait with Rune the cat (Default)
[personal profile] weofodthignen
We returned from Costco and had to pull into the driveway very slowly—and honk—while Mama Violet removed herself from where she had apparently been asserting her rights as primary barn cat.

Meanwhile, we've gone back to opening windows and doors to cool the place in the evening below the a/c setting. Unfortunately having the front door open (with screen door in place) reminded the dog of the existence of raccoons. Bark, bark, bark.

I have no idea what happened first

Jun. 18th, 2026 10:34 pm
conuly: (Default)
[personal profile] conuly
but as I was at the corner store somebody poked his head in the store and said "So, I still can't get nothing?" and then, as the cashier picked up the phone "C'mon, you're calling the cops on me again? You already called them on me!"

Well, okay, if he already called them (20 minutes ago, as the phone conversation made clear) then there is no need to ask if you are welcome in the store, because almost anybody could tell you that the answer is no. Whether he was right to call or wrong to call, he's still not going to let you buy anything at this time.

***************************************


Read more... )

(no subject)

Jun. 18th, 2026 05:03 pm
skygiants: Rue from Princess Tutu dancing with a raven (belle et la bete)
[personal profile] skygiants
Earlier this week we saw new Black Swan musical, which felt so obviously necessary and important that it was only like a few days prior that I realized I had never actually seen the movie Black Swan. So! On Monday we watched Black Swan (2010) and then on Tuesday we went to see the show.

For those of you who missed Black Swan (2010), it's just under two hours of tightly-wound ballerina Natalie Portman getting cast as the lead in Swan Lake and then dramatically unraveling betwixt the combined pressures of controlling live-in stage mom, ambitious shadow-double understudy [ft. hallucinatory toxic yuri], and psychosexually exploitative artistic director Thomas Leroy.

Black Swan (the musical) (2026) is also two hours of a tightly-wound ballerina getting cast as the lead in Swan Lake and then dramatically unraveling, but there are some key differences; most significantly, there is no psychosexually exploitative artistic director! Instead, towards the beginning of the show, the company manager explains that the celebrity guest choreographer for Swan Lake has had to pull out unexpectedly ["cancelled," the corps mutter sagely to each other] and is going to be replaced by a different celebrity choreographer, Margaux LeRoy, who appears and immediately delivers a speech about how in her Swan Lake Reimagined there will be NO prince! NO evil wizard! It's ALL about the swans!

I admit I do think it's really funny that Jen Silverman and Dave Molloy were like 'please clap we've made a Black Swan musical without heterosexuality -- sorry I mean this cool feminist choreographer character who is certainly not our in-text stand-in has made a Swan Lake without heterosexuality. and you should clap for her.' But also I am really sympathetic to and interested in the project -- this adaptation is making an argument that voyeuristic sexual exploitation by domineering men is not the only kind of horror story you can tell about ballet, that you can focus the horror explicitly on a pressure-cooker of women in a toxic system fracturing against each other in various ways and have it be just as sharp and scary and powerful. I appreciate this as an adaptation tactic; I think the show gets like 75% of the way to being something that could, if successful, be better than the film.

unfortunately I don't think the show actually manages to prove its point; that said there was some stuff I really liked )
conuly: (Default)
[personal profile] conuly
Seriously, what have I done to deserve that?

Encounters.

Jun. 18th, 2026 08:15 pm
hannah: (James Wilson - maker unknown)
[personal profile] hannah
This afternoon, I heard someone proudly talking about how they're featured in every chapter of their psychiatrist's upcoming book.

It's a book about living with and recovering from eating disorders.

I'm not sure what she was trying to communicate, or why she wanted to talk about it with a relative stranger in the room. It reminded me a little of a conversation a while back where someone else at the table was trying to impress and shock the group by crowing about how she was in such a bad place in college, she had to take mandatory therapy sessions.

At that dinner, I said, "Who hasn't?"

At the gym today, I didn't ask a thing.

At that dinner, she doubled down on trying to explain her therapy had been mandatory - "Yeah, who hasn't?" I said again, casually, having been there myself and taking a certain sense of pleasure in deflating a moment by reminding someone that while their experiences might not be universal, neither are they unique or unprecedented.

At the gym today, the person was talking about the therapists and doctors she sees on a regular basis, and at multiple points her trainer asked her to slow down because she was talking too fast for him to understand, and I had the wicked thought of asking about a speech therapist, and said nothing, only asking her for the author's name. I didn't find out about the book's subject matter until I got back to my apartment, so to go from hearing someone attempt a flex about simply being in their psychiatrist's upcoming book to a book on eating disorders added the additional dimension to have me wonder about it with a greater level of specificity.

I keep wondering if she was talking like that because she's so proud of her accomplishments, just as I keep wondering why she's announcing that.

Ten Days (part 2 of 10)

Jun. 18th, 2026 08:15 pm
dialecticdreamer: My work (Default)
[personal profile] dialecticdreamer
Ten Days
By Dialecticdreamer/Sarah Williams
Part 2 of 10
Word count (story only): 1262
[Saturday afternoon, 18 November of 2017]


:: Jules is prepared to take the little one into quarantine, but the process has a few unexpected hiccups. Part of the Lodestar story arc in the Polychrome Heroics universe. ::


:: Pay Special Attention: some BRIEF (and as gentle as I can make them) descriptions of the symptoms of chicken pox.

Back to part one
On to part three


“Mares eat oats and does eat oats,” Jules sang softly, rubbing Cassidy’s back as the baby wailed, little face red and sweat beading on his forehead, making his wispy black curls cling to his forehead and the nape of his neck. Jules swayed, moving gently around the living room, the second largest room in the Can. The largest room was actually in the level below, holding all of the mechanical needs, and a greenhouse space set up like two plastic hoop greenhouses side by side, each no wider than the teen’s outstretched arms, but full to bursting with living, edible plants.

Fortunately for Jules, there was a library of short videos showing the care and harvesting of each plant, including the five blooming nasturtiums he’d harvested during Cassidy’s short nap.
Read more... )

I know all this and more

Jun. 18th, 2026 07:26 pm
sovay: (Lord Peter Wimsey: passion)
[personal profile] sovay
I left the house for this afternoon's doctor to discover that the mail had already brought my contributor's copy of Not One of Us #87, containing my poem "Gramarye." It owes a title to Susan Cooper and the rest to anger and the sea. It belongs to the talent issue, sharing double edges with the fiction and poetry of Joseph Hirsch, Marissa Lingen, J. Hellend, David Kopaska-Merkel and more. I love the alert, alien camera contributed to the cover art by John and Flo Stanton. Pick up a copy, add to the weirdness. Its digest-sized persistence is a gift.

I love the idea of adding Glasgow to Boston's roster of sister cities, or Boston to Glasgow's. I keep forgetting we're not officially twinned with Halifax.

WERS played Aretha Franklin's "Eleanor Rigby" (1971) as I was driving from [personal profile] a_reasonable_man's to my mother's. I may have been given a new motto. It is fine that the tornado watch seems to have expired in a very brief monsoon.

The Friday Five for 19 June 2026

Jun. 18th, 2026 06:07 pm
anais_pf: (Default)
[personal profile] anais_pf posting in [community profile] thefridayfive
1. What is your biggest waste of time in your home?

2. When at work, what is the activity that you find wastes the most time?

3. When getting busy with a date or significant other, what ritual could you do without?

4. What is the biggest waste of time on the Internet?

5. What do you do at a restaurant to waste time when waiting for your meal?

Copy and paste to your own journal, then reply to this post with a link to your answers. If your journal is private or friends-only, you can post your full answers in the comments below.

If you'd like to suggest questions for a future Friday Five, then do so on DreamWidth or LiveJournal. Old sets that were used have been deleted, so we encourage you to suggest some more!
github: shadowy octopus with the head of a robot, emblazoned with the Dreamwidth swirl (Default)
[personal profile] github posting in [site community profile] changelog

Convert /manage/moodthemes from BML to TT + Foundation (#3582)

Replaces the mood theme editor BML page with DW::Controller::Manage::Moodthemes and a Foundation-styled Template Toolkit view, moving the inline editor JS to js/moodtheme-editor.js and retiring the old .bml.* ML keys in deadphrases.dat.

Co-authored-by: Claude Opus 4.8 noreply@anthropic.com

Commit: 1bcc6c0d Author: Mark Smith

github: shadowy octopus with the head of a robot, emblazoned with the Dreamwidth swirl (Default)
[personal profile] github posting in [site community profile] changelog

Bump js-yaml from 4.1.1 to 4.2.0 in /api (#3590)

Bumps js-yaml from 4.1.1 to 4.2.0. - Changelog - Commits

github: shadowy octopus with the head of a robot, emblazoned with the Dreamwidth swirl (Default)
[personal profile] github posting in [site community profile] changelog

Remove dead BML pages already shadowed by TT controllers (#3585)

login.bml, manage/circle/invite.bml, and tools/index.bml are unreachable: the first two are shadowed by DW::Controller::Login and DW::Controller::Manage::Circle::Invite (routing strips .bml, so old URLs still reach the controllers), and tools/index.bml is empty. The two login.bml.text strings still used by views/components/login.tt move to a new views/components/login.tt.text; all other keys go to deadphrases.dat. Also fixes the hardcoded /login.bml link on the anon-blocked 403 page and adds a DEPRECATED note to preview/entry.bml, which is superseded by /entry/preview and only serves the old BML entry form.

Co-authored-by: Claude Opus 4.8 noreply@anthropic.com

Commit: 2edb2fc8 Author: Mark Smith

github: shadowy octopus with the head of a robot, emblazoned with the Dreamwidth swirl (Default)
[personal profile] github posting in [site community profile] changelog

Repoint plack-bml.t off login.bml ahead of its deletion (#3592)

t/plack-bml.t used login.bml as its fixture in Tests 2, 7, and 8. PR #3585 deletes htdocs/login.bml, which would make Test 2's resolve_path('/login') return undef and fail in CI (prove t/plack-*.t). Tests 7/8 GET /login to "verify BML renders", but that path is already served by DW::Controller::Login (routing shadows the BML file), so they never exercised BML.

Repoint all three at /imgpreview -> imgpreview.bml, a public page genuinely served by DW::BML with no shadowing controller route, so the tests survive the deletion and actually test BML rendering. Verified 10/10 pass with login.bml and tools/index.bml removed.

Run-on: Niteshift

Co-authored-by: Claude Opus 4.8 (1M context) noreply@anthropic.com

Commit: 75f4b1b2 Author: Mark Smith

github: shadowy octopus with the head of a robot, emblazoned with the Dreamwidth swirl (Default)
[personal profile] github posting in [site community profile] changelog

Show GitHub handle + pusher avatar in Discord commit pings (#3591)

Per-commit lines now show the commit author's GitHub handle linked to their profile (falling back to the git name when the commit doesn't map to a GitHub account), and the embed gains an author block with the pusher's handle and avatar for quick visual differentiation.

Co-authored-by: Claude Opus 4.8 noreply@anthropic.com

Commit: 67029fa0 Author: Mark Smith

swan_tower: (Default)
[personal profile] swan_tower
I mentioned at the start of this month that I had a new flash story in Lightspeed; now it is free to read online! Or you can follow the same link to listen to it instead, narrated by Stefan Rudnicki. As the title implies, "I Cut Off a Monster’s Arm. AITA?" is modeled after the type of Reddit post where someone posts about an incident in their life, seeking reassurance that they're not the one at fault in that situation (or sometimes confirmation that, yeah, they done screwed up). It's also one of a small but possibly growing number of flash stories I've written based around Japanese yōkai tales -- the third one will be out at the end of this month or the beginning of the next!

As usual, you can buy the entire issue of Lightspeed containing my story for $4.99, or subscribe for a whole year at $41.92. It's great to be able to read things free online, but it's also great for the magazines that publish them to be able to stay in business!

(originally posted at Swan Tower: https://is.gd/JjsfB9)

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Edmund Schweppe

June 2026

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